The painting was drawn and attached on the walls of Daejojeon Hall around 1920 by Kim Eun-ho, who was a rising fine artist educated at Seohwa Fine arts Academy, the institution for fine arts education supported by the royal family. The painting inherited the tradition of colorful painting of flowers and birds, and concentrates in magnificent formative expression and technical description. It is one of six remaining court wall paintings that served more purpose than just decoration. The painting is historically and artistically valuable in that it contains auspicious and symbolic meanings in relation to restoration of fallen royal authority and reconfirmation of the royal family’s capacity.