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National Treasure

Gilt-bronze Standing Buddha with Inscription of "the Seventh Yeonga Year"

금동연가7년명여래입상 ( 金銅延嘉七年銘如來立像 )

Heritage Search Detail
Classification National Treasure
Name of Cultural Properties Gilt-bronze Standing Buddha with Inscription of "the Seventh Yeonga Year"
Quantity 1 Item
Designated Date 1964.03.30
Age Three Kingdoms(Goguryeo, 6th century)
Address National Museum of Korea, 137, Seobinggo-ro, Yongsan-gu, Seoul

This Buddha image (height: 16.2cm) contains Chinese characters associated with the Goguryeo Period (circa 37 BC-668AD) including “延嘉,” which supposedly refers to the reign of King Anwon (r. 533-539). It was found in Uiryeong, Gyeongsangnam-do which used to be a territory of the Silla Dynasty. The inscriptions on the rear of the mandorla (Buddhist halo of light) of the Buddha image state that the image is the 29th of the 1,000 Buddha images made by monks at Dongsa Temple in Pyeongyang. The Buddha image displays a small turban shell-shaped tuft of hair stuck to the head, which is rarely found among those dating back to the Three Kingdom Period (circa 57BC-668AD), along with usnisa (a protuberance symbolizing supreme wisdom). Its small-sized face wears a smile and looks lean. It holds the right hand up with the palm facing the front. The fingers of the left hand, which is placed near the waist, point downward with the palm facing the front. The bent middle and ring fingers of the left hand are common in Buddha images dating back to the Three Kingdom Period. The very thick robe conceals the contours of the body. The overall body and the shape of the shoulder give the impression of toughness. The lower ends of the robe, which look like bird feathers, extend outward powerfully. Their sharp and powerful appearance shows the influence of the pattern of Northern Wei of China. The mandorla behind the Buddha image has the pattern of whirling flame in lines. The mandorla is partly damaged, but it is a rare Buddha image dating back to the Three Kingdom Period and whose gold plating remains in good condition. Researchers suppose that it is a piece made toward the end of the 6th Century based on the Chinese characters on the rear side of the mandorla, along with the powerful feeling exuded by it.