These paintings were produced in 1924 by Yakhyo (pen-name: Geumhodang) , a representative monk-painter of the Gyeryongsan School whose members were active at Magoksa Temple, and his disciples between the late nineteenth and early twentieth century. As a valuable Buddhist cultural heritage of Korea’s modern period, it reflects the influences of the time, including the use of a western shading method to create a three-dimensional effect, and features unique patterns that differentiate it from other Buddhist paintings of the period.