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National Intangible Cultural Heritage

Imsil Pilbong Nongak (Farmers’ Performance of Pilbong, Imsil)

임실필봉농악 ( 任實筆峰農樂 )

Heritage Search Detail
Classification National Intangible Cultural Heritage
Name of Cultural Properties Imsil Pilbong Nongak (Farmers’ Performance of Pilbong, Imsil)
Quantity
Designated Date 1988.08.01
Age
Address Jeollabuk-do

As nongak (farmers’ music) that has been handed down in Pilbong, Imsil, Imsil Pilbong Nongak belongs to Honam Jwado Nongak (Farmers’ Performance of the Western Jeolla-do). Simple farmers’ music such as that performed on occasions like dangsangut (rite to village guardian) or madang bapgi (treading on the courtyard) had been handed down in this village. The music is said to have become sophisticated around 1920 when the villagers started learning the performing skills from Park Hak-sam, who served as sangsoe (leader of a farmers’ music troupe). The members of a farmer’s music troupe wear white jacket and trousers, with blue vest over the jacket and bands in three colors tied to the head. As for the headgear, only the soejabi (gong player) wears sangmo (hat with feathers or strings attached); others wear gokkal (conical hat). A farmer’s music troupe is composed of yonggi (dragon flag), nonggi (farmers’ flag), long soenabal (trumpet), samul [four percussion instruments, i.e., two kkwaenggwari (small gongs), two jing (large gongs), two buk (drums), and four janggo (hourglass-shaped drums)], beopgo (Buddhist drum), japsaek [referring to a group composed of yangban (nobleman), daeposu (drummer), jorijung (masked clown), changbu (male clown), gaksi (young girl), hwadong (young girl) and mudong (dancing boys)]. The local farmers’ music has many versions according to different occasions: maegut (village ritual held on New Year's Eve on the lunar calendar), madang bapgi, dangsanjegut (rite to village guardians), duregut (performance for villagers’ unity), and pangut (entertainment-oriented performance). Among them, Pangut showcases the best artistic quality. The Yeongsan rhythms contained in the local farmer’s music in Imsil are slow with have many variations, such as gajin yeongsan, dadeuraegi yeongsan, mijigi yeongsan, jaeneomgi yeongsan, gunyeong nori yeongsan, etc. The local farmer’s music in Pilbong, Imsil features clear-cut rhythms of kkwaenggwari (small gongs), powerful/gallant rhythms, and emphasis on teamwork rather than individuals’ skills.