This funerary stupa honoring eminent Goryeo monk and State Preceptor Jigwang (pen-name: Haerin, 984-1067) was originally located in Beopcheonsa, a Buddhist temple once located around today’s Wonju. It had been smuggled into Osaka, Japan during the early 1910s when Korea was under Japanese colonial rule (1910-1945) but was soon returned to be housed in the precincts of Gyeongbokgung Palace where it is today. Unlike ordinary stupas that came to have an octagonal shape after the Unified Silla era (676-935), this one is basically square in plain view. The foundation stone has four decorative carvings shaped like a dragon’s clawed foot tugging the ground on all four corners, creating a great sense of stability. Above the foundation is a base of seven tiers with different heights and widths whose top tier is decorated with elaborately carved draperies over all four sides. The main body is in turn carved with a pair of doors on the front and back to indicate that it contains a chamber enshrining the relics of the dead monk; the roofstone is gently turned up on all four corners, with all its eaves elaborately carved with Buddhas, bodhisattvas, and phoenixes. The finial is also in good condition. Meanwhile, a stone stele set up to mark the construction of the stupa is still standing on its original location at the Beopcheonsa Temple site. The stele contains an inscription stating that it was set up in 1805; thus suggesting that the stupa was built sometime between 1070, the year when the preceptor died, and 1085 when the stele was set up. The stupa is covered by decorative carvings of various subjects arranged in a seemingly unrestrained manner, but none of the details confuses the viewers thanks to the basic square structure and masterfully executed carvings. While some argue that the stupa has excessive decorations and consequently tends to reduce the solemnity it should maintain as a reliquary monument, it is generally regarded as one of the finest of its kind produced during the Goryeo period (918-1392).